WWF,
Mid 90's
In
the early 1990's, WCW had a rapping wrestler by
the name of PN News. And he really sucked. He was
a big fat guy who couldn't work a lick, and his
only draw was that he would sing on the way to the
ring. Sound thrilling? It wasn't.
But
apparently Vince McMahon thought so, as he decided
that if one big fat rapper was good, THREE would
be even better. And thus, he begat Mabel, Oscar,
and Mo - Men on a Mission.

Men
on a Mission (MOM for short, get it?) entered the
WWF amidst much fanfare, with videos and vignettes
showing them to be from the bad streets of ... ummm
.... I dunno where, but it certainly didn't look
very dangerous. Mabel and Mo were two largely immobile
and untalented workers who made a name for themselves
in the old USWA as The Harlem Knights. Vince saw
dollar signs, and brought them into the WWF as a
singing and dancing tag team, and Oscar would be
their rappin' fool of a manager.
Their
rapping was lame. Here is an
example of that. Here is another.
And their dancing was just plain bad. They showed
about as much rhythm and soul as Vince McMahon singing
"Stand Back" on the Piledriver album.
In fact, let's compare.

Nah,
it's not even a contest. I mean, look at Vince shake
his groove thang. He really could (and SHOULD) have
taught those boys a thing or two.
Think
about THAT for a second.
Amazingly,
Men on a Mission actually had a longer run than
most fans would have liked; they were even able
to snare the WWF tag straps, back when they kind
of sort of meant something. Eventually, though,
the team lost steam. They turned heel, squashing
Oscar in the process. Oscar hasn't been heard from
since. Mo just kinda faded away.
Mabel,
though, is another story. His obvious lack of talent
was rewarded with a King of the Ring tournament
victory and a WWF title match with then champ Diesel
at Summerslam in two of the worst WWF PPVs ever.
You'd
think after all this, Vince would never have the
guy under contract again. And you'd be wrong, as
he is STILL stinking up arenas as Viscera.
How
ironic - he's given up rapping in favor of raping.
Bonus!
Oscar Calls RD on Being Dubbed 'a Rapping Fool'!
Note
from RD: Despite being almost five years ago, I
remember it like it was yesterday. I had just posted
the Men on a Mission induction, and I got an email
from the group's manager. Oh yes, OSCAR HIMSELF.
And he had something to say to the man that called
him and his boyz WrestleCrap!

Wrestlecrap:
I
guess first of all, what are you up to these days?
O:
Well right now, I'm on 74 different radio stations
doing pretty much the same rap schtik I did when
I was in the WWF. I'm also still actively involved
in the WWF in several areas, and there's a new wrestling
federation that's trying to compete called the Urban
Wrestling Federation, they just offered me a deal.
What that is is a big time agency in New York and
an entertainment agency out of New Jersey have gotten
together to put up millions of dollars and they
want to fuse wrestling and hip hop in a real big
way. So being that I was one of the innovators -
not PN News, for the record (laughs), that I was
one of the innovators of putting rap and wrestling
together, they are seeking my expertise in several
ways. So we're going to see how serious they are,
see how serious it is, and look at that. I mean,
if it's an independent with some guys with wrestlers,
a microphone, and a camcorder, obviously not (laughs).
But these guys seem to have their act together.
They want to put some money behind it and get a
major network deal behind it, so we'll see where
it goes.
WC:So
they are more or less targeting the black community?
O:
Well, yeah...Smackdown is garnering the largest
populous or demographic of black people that watch
wrestling, so they 're really targetting that audience.
What they want to do is integrate a lot of the well
known hip hop artists into the program to garner
that market further.
WC:
So kinda like how Vince has done stuff with the
rock & roll, but you guys are taking a different
slant on it, going with urban music then.
O:
Exactly.
WC:
That's very interesting. I wish you the best of
luck with it. Any idea what kind of time frame they
are looking at to get on a network?
O:
Actually, late fall. They've been working at it
a long time, and they are in the final process of
signing a network deal and signing contracts with
acts and negotiating with perspective agents and
management.
WC:
So I understand
where they would get the hip hop artists from, but
where would they get the wrestlers from? Independents
or...
O:
I really couldn't tell you. Some independents, but
if these guys are going to be major players like
they hope to be, they are probably going to go after
some of the better works that aren't working now
or aren't active now. There's a pretty big talent
pool out there, so they shouldn't have any problem
finding top quality talent.
WC:
And with WCW dropping people to lower their payroll,
they could get people from there, I suppose.
O:
Well, WCW will have a bunch of no name acts they
don't hardly have to pay anything. I guess that's
a good business strategy, but I look at WCW these
days and I know nobody there. I've been in the business
since '93, so me knowing people personally is one
thing, but I haven't even heard of these people
being a fan of the business. So I don't know what
they are doing over there.
WC:
Well, that makes two of us. You said you were in
the business in 93. Did you start out with the WWF?
O:
Yeah, I started out with the WWF.
WC:
How did that come about?
O:
I was in Las Vegas just on a weekend vacation. I
was at a craps table, right before Wrestlemania
9. And I saw Randy Savage walking through a casino,
and I just went up and started rapping to him. Vince
was there, and they were blown away by what I did.
Vince told me to call him at WWF headquarters that
Monday. I'm thinking, "Call Vince McMahon at
WWF headquarters? Yeah right." That's like
the President saying, "Call me at the White
House." So I called his office, and sure enough,
we talked for about an hour. He called me a few
weeks after Wrestlemania 9, and said he had two
guys I would fit right in with, and we want to do
a deal with you.
WC:
So you had always been a wrestling fan?
O:
Always been a wrestling fan, for sure.
WC:
Where did you grow up?
O:
I grew up in Brooklyn, New York.
WC:
So you were a WWF fan?
O:
Yeah, but I would go down south every year, down
in Georgia. And down there, the old NWA would come
on all day long. I was a fan of Hulk Hogan when
he first started, but Ric Flair was one of my favorites.
He was the man. And WWF would come on channel 9
in New York and we would watch it with my father
every Saturday at midnight. Bob Backlund, Bruno
Sammartino. I was a big fan. And then I woke up
one day in 1993 and I was sitting in a room in a
meeting with Bob Backlund because now I was working
with him. It was phenomenal.

WC:
So you had not met Mo and Mabel before?
O:
I'd never heard of them.
WC:
I believe they came out of Memphis?
O:
They came out of Memphis, the USWA. They were a
group called the Harlem Nights. They came out of
there. Before then, I knew nothing about the USWA,
I knew nothing about them. I'd never heard of them.
WC:
When you guys met, did you get along? Did it click?
O:
Actually, it was a rocky road in the beginning.
It was a rocky road for quite some time, because
by this time, I had an aristocratic mentality. I
had been out in Hollywood, out in California. Now
before I had got to the WWF, I had been doing big
things. I had been hanging out with Frank Sinatra
and Tony Bennett. I was doing this, that and the
other, and I was used to ... it's a long story,
but the crux of the story is that I was used to
fine dining, and they were used to eating at a truck
stop. I was used to staying at the Marriot, and
they were used to staying at the Motel 6. We had
an east coast vs. southern mind set clashing in
one car going up and down the road. So we conflicted
for a long time, but after a while, we really bonded
and I really got a love for those guys today. But
it was a stormy road, but we got it together after
a while.
WC:
What were you doing before you came to the WWF?
O:
I was in the recording business, not recording,
but doing rap for people who didn't like rap. I
would play Vegas, I would play Caesar's Palace or
Bally's. I was doing a lot of big things with big
names for people out in Hollywood. I had management
that got me hooked up with a lot of big names in
situations where I would make a lot of money. I
made a lot of money back then.
WC:
Not to pry, but what was better financially - working
that way or working with the WWF?
O:
Working with the WWF was better financially because
it was more stable. It was more of a constant.
WC:
You said you and Mo and Mabel got tight after a
spell - do you still talk to those guys?
O:
Yeah, I actually do. In fact, if I do go to the
Urban Wrestling Federation, I will more than likely
be going in with Mo. I don't know about Mabel, because
I don't know if the Viscera gimmick is going to
keep going in the WWF or whatever. I'm not sure,
but I'm pretty sure we could get him on board to,
but that's a big if. I really got to explore what
that package is going to be.
WC:
As you said, Mabel is now Viscera in the WWF. What's
Mo up to these days?
O:
He's still real active in the independents. He's
done real well for himself as far as wrestling goes.
He had his own wrestling organization going down
in Tennessee and he had it going for a couple of
years, it was on TV and everything. It was called
Southern Extreme Wrestling. And he ran it. He was
paid a lot of dollars for being in the WWF, and
he ran his own wrestling organization pretty good.
That fizzled out, these things happen. But the guy
is down in Memphis and he's wrestling for an organization
down there, and they have TV every week. He's stayed
active in southern independents, and he's done quite
well for himself in that arena. Despite what you
guys say or think, those two guys are good workers,
and they really put their heart and soul into it.
WC:
Hey, we don't bust on anybody, man! (laughs)
O:
Oh come on, you guys, you guys, you guys! (laughs)
WC:
It should be an honor for you! (laughs)
O:
Now wait a minute, let me quote you: "They
were bad workers with their rapping fool of a manager,
Oscar." 'Fool' in big yellow letters! Fool,
F-O-O-L! That's what you said about me!
WC:
You know, I never thought I would have any one quote
that stuff back to me! (laughs)
O:
I bet!
WC:
My face is so red. (laughs)
O:
Yeah, I imagine. I couldn't wait to give you a call!
(laughs) When I get to heaven and I see Merle, I'm
going to have a conversation with him too!
WC:
So aside from being listed on WrestleCrap, which
would have to be your highlight, what would be the
favorite moment thus far of your wrestling career?
O:
My favorite moment of my wrestling career is Wrestlemania
X. That question is so easy to answer. I would have
to say the whole experience. Before I got into that,
my whole dream was to be a rap artist. I used to
see Run DMC and everybody back then, and I'd see
them on these big tour busses going to arenas. And
I finally got to do it, but I got to do it in a
different way, you know. And I got to go all over
the world with the WWF. But Wrestlemania X would
have to be the highlight of my career because it
was at Madison Square Garden, where I used to go
to as a kid watching wrestling. And walking down
that aisle with 20,000 people vibing to what I was
doing that day, that really touched me. And I looked
out into the crowd at the exact nosebleed seat to
see where I had come from and where I had came at
that pivotal moment of my life...that's something
I will never forget. And because of that, no matter
what went on there that I liked or I didn't like,
I have no bitter feelings towards the organization.
I've watched the WWF for years, and like I said,
I am still actively involved in different areas
of the company, I still do things for them. But
that changed my life. It gave me a sense of stardom,
it gave me money, it gave me a whole lot of things.
It led to things I am doing today. But to answer
your question, Wrestlemania X is my highlight moment
of being in the WWF.
WC:
You travelled all over the world with the WWF. What
are some of the more exotice places you went and
what kind of reactions did you get from places that
may not have been familiar with that type of music?
O:
People in Germany knew how to go "Hi, Ho",
stick their hands in the air, and yell "Whoomp,
there it is" when I told them to say it. That
was one thing that used to have me tripping out.
No matter where I went or what language it was,
when I came out they knew what to do, they knew
what to say. Israel, the same way. I got to go to
Israel, when I went to Israel, the four cities we
went to there, it was the same thing. I always got
a good reception. The hotel that I stayed at was
on the Sea of Gallillee. Bret Hart and I went to
Jerusalem, did the whole tour of where Jesus was.
We went and floated in the Dead Sea together. It
was phenomenal. Israel would have to be one of the
more exotic places I went to that sticks out in
my mind and my heart, for that matter. I'm mad because
we went to Hawaii for the first time, but we had
a double shot that day, so we had to leave that
day. I didn't get to go to the other side of the
island and stay at no big resort like I had dreamed
of doing. I got to go everywhere, so I can't complain.
WC:
You said you had gone to Jerusalem with Bret Hart.
Who else did you like to hang our with then?
O:
When we were overseas, we all hung out together
- we'd never leave each other's sides, aside from
going to our hotel rooms and going to sleep. That
was always a good thing. Probably my best friends
were Bret Hart, Owen Hart, God rest his soul, the
Harts were really good to me. The Steiner Brothers
back then. Vince was an incredible help to me the
whole way. He really nurtured me when I was down
there, because he knew I was new to the business.
Who else...The Samoans. You know, everybody was
real supportive. Everybody appreciated what I did.
We were basically all good friends.
WC:
You wrote all the raps, right?
O:
Yes.
WC:
Was there ever anything....I can just see Vince
or Pat Patterson coming up with suggestions , like
"we want you to rap about WWF Ice Cream Bars."
Did they ever come up with anything that you were
like, "we can't rap about that."
O:
No, because I could basically rap about anything,
so there was nothing they came up with that I was,
"well, that's kind of out there."
WC:
Did they just kind of give you free reign?
O:
Yeah. Vince would come up to me and he'd say, "All
right, rap about Houston because we're in Houston,
Texas." Then he would try to rap a little bit,
"Come on, Houston!" And I would be, "All
right, Vince, I got it."
WC:
(laughs) I would give anything to see Vince McMahon
rap!
O:
Oh Vince really thought he was hip! He thought he
could dance, he thought he could sing. He thought
he was a performer. He's the man.

WC:
Over the years, the WWF has put out a lot of music
albums, and when you were around, they put out one
called Wrestlemania: The Album, which is actually
up on the site right now as people are listening
to or reading this. Were you disappointed that you
never got to get into that arena? Was there ever
any talk of you guys putting out your own CD?
O:
Yeah, that was supposed to happen, but a lot of
things that were supposed to take off didn't. So
yeah, that was a disappointment. That's a good question.
WC:
Have you ever heard Wrestlemania: The Album?
O:
Yeah, but I want to say about that album that it
was done before I got there. I am pretty sure that
had I been there before it was done, I would have
been on it, since I was the best performer, not
as far as working in the ring, but as far as entrance,
as far as music, at that particular time. It sure
wasn't Jeff Jarrett! (laughs)
WC:
You know, if people listen to the samples we have
posted of that on the site, I am sure you won't
have a single person disagree that you were a better
singer than Bret Hart. (laughs) He's a great worker,
but keep him away from the music scene.
O:
Well, everybody can't be everything.
WC:
Let's flip that a little bit. Did you ever think
about becoming a wrestler yourself?
O:
I gave it a fleeting thought. But when I almost
broke my ribs, that thought went way out the window.
WC:
How did that come about?
O:
I took a few bumps, as everybody does. I got tackled
by Jeff Jarrett really hard, and I fell the wrong
way, I fell right on my side. I thought I cracked
something.
WC:
Eventually they decided to turn Men on a Mission
heel, and Mabel splashed you. When they did that,
did they just say "that's it, there's nothing
else we can do with you?"
O:
That was my choice. When they turned the team heel,
that's when I decided I wanted to get out. When
I started, I told them everything I did I wanted
to be positive. And when they turned the team heel,
I didn't want any part of that at all. That's the
reason why I left.
WC:
Um...ok. You didn't want to be with anybody else?
There was no talk of putting you with someone else?
O:
No. JJ Dillon said, "The Undertaker is with
Paul Bearer, and you're with them." And that's
basically the way they wanted to keep it.
WC:
Eventually Mabel just kind of wound up on his own
anyway. I don't remember exactly how that happened.
I think maybe Mo got hurt.
O:
Right. Mabel hung around a little longer. He was
at an advantage because of his phenomenal size,
and because of his quality of work. I mean, he was
really agile for someone that big.
WC:
When you first saw them, what went through your
mind? The first time Vince said, "here are
the guys you'll be working with." What what
through your mind, because Mabel, I've met him,
and he is huge.
O:
Well, the first time I saw them was at Stamford
for a meeting, and I came down from the hotel and
the car came up. But he was sitting in the car,
and I didn't know how big he really was until he
got out of the car. And when he got out of the car,
I was like, "WOW!" The first time I saw
them wrestle, I was blown away. They worked well
together, the way Mabel moved. I couldn't believe
it. I knew it was going to be a really good thing.
WC:
I want to thank you again for doing the interview
with us, and no hard feelings about what we wrote
about you, I'm sure.
O:
Well, I want to thank you for having me on there.
I like the site, I go to it all the time.